STORYTELLING: PHOTOGRAPHY & WEB MEDIA
4MEST001W
Module Handbook
BA CONTEMPORARY MEDIA PRACTICE
2024-2025
College of Design, Creative and Digital Industries
MODULE OUTLINE
This module establishes the interrelationship between media theory and practice by introducing theoretical and conceptual frameworks that underpin creativity in the contemporary media arts industries. This interconnectedness is reflected in the assessment structure, which comprises an interdisciplinary Storytelling Project (70%) and a Written Essay (30%) to be chosen from a series of questions based on themes and debates addressed throughout the module. As such, the module develops key academic and creative skills for critical research and analysis.
MODULE AIMS
• To contextualise creative media arts socially, politically and culturally.
• To develop a critical understanding of media creativity and the important
relationship between media arts practice and theory in conceptual development.
• To introduce students to a range of key creative technologies for interactive media practice, photography, and web media.
• To develop an understanding of storytelling through image, sequence and interactive narrative.
• To develop the ability to research and communicate critically and analytically.
• To develop collaborative skills and visual and verbal communication skills
LEARNING OUTCOMES
Note: Learning Outcomes describe the minimum acceptable (threshold) standards, and students must therefore achieve all Learning Outcomes to pass the module.
By the end of the module the successful student will be able to:
Knowledge and Understanding (KU):
LO1. Display an awareness of a range of approaches to media arts practice, and associated theoretical frameworks
LO2. Respond to set topics by drawing from established and emerging media debates and theories
Professional and Personal Practice (PPP):
LO3. Apply given methods to the close reading and analysis of media texts and contexts
Key Transferable Skills (KTS):
LO4. Communicate effectively in audio-visual and written work using appropriate academic protocols
LO5. Undertake guided theoretical research to respond to set tasks
LO6. Work effectively on group and individual projects, completing work to schedule
TEACHING AND LEARNING METHODS
Teaching and learning methods
Indicative teaching and learning methods (with typical scheduled / supervised time for each student):
- Lectures and seminars introduce key ideas and debates
- Group and individual tutorials support students in completing the set tasks
- Presentations of research enable students to share learning
- Completion of the ICMP Project through the use of supervised technical facilities and/or work on location but will vary according to individual need.
In addition to scheduled sessions, students are expected to undertake creative and contextual research, including set readings, during their self-managed study time. The approximate balance between taught activities is shown in the table below.
Activity type
|
Category
|
Student learning and teaching hours*
|
Lecture
|
Scheduled
|
22
|
Seminar
|
Scheduled
|
22
|
Tutorial
|
Scheduled
|
1
|
Project supervision
|
Scheduled
|
Not applicable
|
Demonstration
|
Scheduled
|
Not applicable
|
Practical Classes and workshops
|
Scheduled
|
36
|
Supervised time in studio/workshop
|
Scheduled
|
15
|
Total Scheduled
|
|
96
|
Independent study
|
Independent
|
304
|
Total student learning and teaching hours
|
|
400
|
*the hours per activity type are indicative and subject to change.
MODULE STRUCTURE
The module is delivered in two sessions per week and follows the same pattern most weeks, but please ensure that you refer to the schedule below and your online timetable to ensure that you don’t miss anything.
- Tuesday 2-4pm – Lectures and Seminars
- Fridays 10-5pm – Practice
There is also one additional workshop on Tuesday 1st October at 12, which is an induction to the Photography studios. You must attend this session to be able to use the studios.
Week
|
Dates
|
Tuesday - Lecture 2-4pm
|
Friday (10am-5pm)
|
1
|
24/09/24 & 27/09/24
|
Introduction to the module (EA)
|
Introduction to Photography and SLR cameras – studio and on
location (JL)
|
2
|
01/10/24 & 04/10/24
|
Studio Induction (12-1pm) Ways of seeing (2-4pm) (TV)
|
Studio lighting (JL)
|
3
|
08/10/24 & 11/10/24
|
Thinking About Photography: From Image to Visual
Perception(EA)
|
Studio Digital SLRs(JL)
|
4
|
15/10/24 & 18/10/24
|
Introduction to Visual Communication (TV)
|
Scanning: storytelling with images, composition, framing (JL)
|
5
|
22/10/24 & 25/10/24
|
Realism, Ideology and Disinformation (EA)
|
Image Postproduction (JL)
|
6
|
29/10/24 & 01/11/24
|
Interactive Narratives and
Transmedia Storytelling (EA)
|
Moving Image 1 (JL)
|
7
|
05/11/24 & 08/11/24
|
Academic Skills: Essay Development (EA)
|
Moving Image 2 (JL)
|
8
|
12/11/24 & 15/11/24
|
Histories of the Internet (TV)
|
Introduction to Coding (EA)
|
9
|
19/11/24 & 22/11/24
|
Convergence & Participatory Cultures (EA)
|
Graphic Design and Wireframing (TV)
|
10
|
26/11/24 & 30/11/24
|
Creativity in the Age of Gen AI (TV)
|
Intro to Web Platforms (TV)
|
11
|
03/12/24 & 06/12/24
|
Digital Identities and Metaverse (EA)
|
Project Development (TV)
|
12
|
10/12/24 & 13/12/24
|
Essay Tutorials (EA/JL)
|
Crit Week – all must attend
|